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Dear SpatDIF and GDIF lists,
The (old) SpatDIF group held a post-paris-debrief chat today and we came up with a few steps we want to take in the next weeks & months. Meeting/Workshop for SpatDIF (in Zürich or Bergen) - possibly in August (depending on avalabilities) - possibly in late September Roadmap of further work until fall: - Solidify core descriptions - Preliminary work on the time extension - Examine ISO standards / other standards (where available) - Re-organize front page of SpatDIF.org to reflect recent developments (based on google doc white paper / Paris state-of-spatdif presentation) - Example Implementations in a) Jamoma b) OMPrisma c) ICST tools of these Benchmark Scenes: 1) historical pieces: (1 Minute each) "Turenas" by John Chowning "Philips Pavillion" Xenakis/Corbusier 2) Exemplary aproaches: (short sequences) Composition (Marlon) Gesture (Jasch) Installation (Trond) - Publication of any existing storage and streaming solutions of SpatDIF-components in the three above-mentioned environments ///////////////////////////////// best regards nils, trond, marlon & jasch http://xdif.wiki.ifi.uio.no/Further_Progress_and_Milestones _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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Hi list,
referring to Jasch's email from June, I was starting to look into the possibility to create some benchmark scenes based on historical pieces. For some recommended pieces I found a few resources in the internet. Turenas: http://www.eumus.edu.uy/eme/cursos/comp_6/fm/resintetizando_turenas/resintetizando.html Concrete P.H. http://smcnetwork.org/files/proceedings/2010/40.pdf Poème électronique: http://iem.at/projekte/publications/paper/poeme_electronique/poeme http://www.fonurgia.unito.it/andrea/pub/evidence.pdf Also Marlon told me that he has a CSound score of Chowning's Stria. For 'Poème électronique', maybe Peter could try to get some insight information from the IEM about the sound material (maybe through Thomas Musil?) The trajectories in Turenas are based on Lissajous curves and also trajectories in Poème électronique are probably related to some kind of mathematical functions. For this, I've started to brainstorm about a "Trajectory extension" that would describe trajectories that follow mathematical functions : http://redmine.spatdif.org/projects/spatdif/wiki/Trajectory_Extension best, Nils On 10-06-08 4:27 PM, jasch wrote: > Dear SpatDIF and GDIF lists, > > The (old) SpatDIF group held a post-paris-debrief chat today and we came up with a few steps we want to take in the next weeks& months. > > Meeting/Workshop for SpatDIF (in Zürich or Bergen) > - possibly in August (depending on avalabilities) > - possibly in late September > > Roadmap of further work until fall: > > - Solidify core descriptions > - Preliminary work on the time extension > - Examine ISO standards / other standards (where available) > > - Re-organize front page of SpatDIF.org to reflect recent developments > (based on google doc white paper / Paris state-of-spatdif presentation) > > - Example Implementations in > a) Jamoma > b) OMPrisma > c) ICST tools > of these Benchmark Scenes: > 1) historical pieces: (1 Minute each) > "Turenas" by John Chowning > "Philips Pavillion" Xenakis/Corbusier > 2) Exemplary aproaches: (short sequences) > Composition (Marlon) > Gesture (Jasch) > Installation (Trond) > > - Publication of any existing storage and streaming solutions of SpatDIF-components in the three above-mentioned environments > > ///////////////////////////////// > > best regards > > nils, trond, marlon& jasch > > > > http://xdif.wiki.ifi.uio.no/Further_Progress_and_Milestones > > > > _______________________________________________ > Spatdif mailing list > [hidden email] > https://mail.bek.no/mailman/listinfo/spatdif > _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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Dear Nils, list
* Nils Peters <[hidden email]> [2010-10-02 01:23]: > Hi list, > > referring to Jasch's email from June, I was starting to look into the > possibility to create some benchmark scenes based on historical pieces. > For some recommended pieces I found a few resources in the internet. > > Turenas: > http://www.eumus.edu.uy/eme/cursos/comp_6/fm/resintetizando_turenas/resintetizando.html > > Concrete P.H. > http://smcnetwork.org/files/proceedings/2010/40.pdf > > Poe??me e??lectronique: > http://iem.at/projekte/publications/paper/poeme_electronique/poeme > http://www.fonurgia.unito.it/andrea/pub/evidence.pdf > > Also Marlon told me that he has a CSound score of Chowning's Stria. There has been at least one csound reconstruction of Stria: One is by Kevin Dahan and John, which seems to be distributed with the csound example files: http://plessas.mur.at/tmp/Chowning-Stria.csd plus more info also in this paper: http://www.ems-network.org/ems08/papers/baudouin.pdf > > > For 'Poe??me e??lectronique', maybe Peter could try to get some insight > information from the IEM about the sound material (maybe through Thomas > Musil?) See: http://iem.at/projekte/publications/paper/poeme_electronique/index_html/view What would be required to turn any of your suggested pieces into a benchmark scene? best, P _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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Hi Peter
thanks for your contribution. On 10-10-03 6:58 PM, Peter Plessas wrote: >> For 'Poe??me e??lectronique', maybe Peter could try to get some insight >> > information from the IEM about the sound material (maybe through Thomas >> > Musil?) > See: > http://iem.at/projekte/publications/paper/poeme_electronique/index_html/view > hmmm, for me, this page only gives me a link to the paper I've already mentioned in my previous email. Are there any other resources you have to have an IEM login for? > What would be required to turn any of your suggested pieces into a > benchmark scene? > I guess that's what we will figure out while doing the first few benchmark scenes. It might also depend on the context: If e.g., Jasch provides a benchmark scene for a gesture-controlled live-electronic piece, the requirements might be a bit different. For those historical pieces, I guess an initial challenge is to get access to the original sound and score material. One question I have is whether the core descriptors are sufficient to describe those scenes, or whether there is the demand for more/others. cheers, Nils _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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In reply to this post by Peter Plessas-2
Hi all,
Nils Peters wrote: > Hi Peter > > thanks for your contribution. > > On 10-10-03 6:58 PM, Peter Plessas wrote: > >>> For 'Poe??me e??lectronique', maybe Peter could try to get some insight >>> >>>> information from the IEM about the sound material (maybe through Thomas >>>> Musil?) >>>> >> See: >> http://iem.at/projekte/publications/paper/poeme_electronique/index_html/view >> >> > hmmm, for me, this page only gives me a link to the paper I've already > mentioned in my previous email. Are there any other resources you have > to have an IEM login for? > > >> What would be required to turn any of your suggested pieces into a >> benchmark scene? >> >> developped at that time about the knowledge involved (my research...), turning this into a benchmark is a challenge. you might want to check this recent paper by Lombardo as a methodological basis : A Virtual-Reality Reconstruction of Poème Electronique Based on Philological Research This imply involving several actors present at that time. > I guess that's what we will figure out while doing the first few > benchmark scenes. > It might also depend on the context: > If e.g., Jasch provides a benchmark scene for a gesture-controlled > live-electronic piece, the requirements might be a bit different. > > For those historical pieces, I guess an initial challenge is to get > access to the original sound and score material. > > One question I have is whether the core descriptors are sufficient to > describe those scenes, or whether there is the demand for more/others. > > cheers, > > Nils > > > _______________________________________________ > Spatdif mailing list > [hidden email] > https://mail.bek.no/mailman/listinfo/spatdif > Guillaume _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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On 10-10-04 11:08 AM, Guillaume Boutard wrote:
>>> What would be required to turn any of your suggested pieces into a >>> >> benchmark scene? >>> >> >>> >> > very interesting question indeed! As no proper archival methodology was > developped at that time about the knowledge involved (my research...), > turning this into a benchmark is a challenge. you might want to check > this recent paper by Lombardo as a methodological basis : > A Virtual-Reality Reconstruction of Poème Electronique Based on > Philological Research > This imply involving several actors present at that time. Hi Guillaume, speaking of archival methodology, I recently bought a Xenakis DVD with some electroacoustic 7-tracks works, originally composed for 11 loudspeakers in the Diatope. For the DVD they re-arranged it for 5.1. http://www.moderecords.com/catalog/148xenakis.html In the booklet it is written: Although the tape of La légende d'Eer has been well-conserved, Xenakis's spatialization program has not been found. [...] "The static or cinetic distribution is realized by means of a special computer program", he [Xenakis] noted. best, Nils _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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In reply to this post by Nils Peters
Hi, On 10-10-01 4:22 PM, Nils Peters wrote: > Hi list, > > referring to Jasch's email from June, I was starting to look into the > possibility to create some benchmark scenes based on historical pieces. > For some recommended pieces I found a few resources in the internet. > > Turenas: > http://www.eumus.edu.uy/eme/cursos/comp_6/fm/resintetizando_turenas/resintetizando.html John Chowning just pointed me to this page: http://www.musimediane.com/numero6/POTTIER/index.html it seems that somebody has already reconstructed Turenas. Unfortunately the zip on the website doesn't include the Turenas main patch. cheers, Nils _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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Hi Nils
I've seen this piece performed at the JIM (St Etienne) this year. they apparently reconstituted the piece with performers triggering the different events in Max You can probably contact Laurent Pottiier Jean Le 26 août 2011 à 02:29, Nils Peters a écrit : > > Hi, > > > On 10-10-01 4:22 PM, Nils Peters wrote: >> Hi list, >> >> referring to Jasch's email from June, I was starting to look into the >> possibility to create some benchmark scenes based on historical pieces. >> For some recommended pieces I found a few resources in the internet. >> >> Turenas: >> http://www.eumus.edu.uy/eme/cursos/comp_6/fm/resintetizando_turenas/resintetizando.html > > > John Chowning just pointed me to this page: > > http://www.musimediane.com/numero6/POTTIER/index.html > > it seems that somebody has already reconstructed Turenas. > Unfortunately the zip on the website doesn't include the Turenas main patch. > > cheers, > > Nils > > _______________________________________________ > Spatdif mailing list > [hidden email] > https://mail.bek.no/mailman/listinfo/spatdif > _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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Hi Jean,
thanks for the info. Laurent was kind enough to send me the concert patch. cheers, nils On 11-08-29 2:18 AM, Jean Bresson wrote: > Hi Nils > I've seen this piece performed at the JIM (St Etienne) this year. > they apparently reconstituted the piece with performers triggering the different events in Max > You can probably contact Laurent Pottiier > Jean > > Le 26 août 2011 à 02:29, Nils Peters a écrit : > >> >> Hi, >> >> >> On 10-10-01 4:22 PM, Nils Peters wrote: >>> Hi list, >>> >>> referring to Jasch's email from June, I was starting to look into the >>> possibility to create some benchmark scenes based on historical pieces. >>> For some recommended pieces I found a few resources in the internet. >>> >>> Turenas: >>> http://www.eumus.edu.uy/eme/cursos/comp_6/fm/resintetizando_turenas/resintetizando.html >> >> >> John Chowning just pointed me to this page: >> >> http://www.musimediane.com/numero6/POTTIER/index.html >> >> it seems that somebody has already reconstructed Turenas. >> Unfortunately the zip on the website doesn't include the Turenas main patch. >> >> cheers, >> >> Nils >> >> _______________________________________________ >> Spatdif mailing list >> [hidden email] >> https://mail.bek.no/mailman/listinfo/spatdif >> > > _______________________________________________ > Spatdif mailing list > [hidden email] > https://mail.bek.no/mailman/listinfo/spatdif > _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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Dear all,
the attached email is the first email i've seen on this reflector since subscribing Sept 6th 2011. I assume that there was some exchange after the Berlin meeting. Can you please tell me whether this is a problem on my side, or whether there had not been any emails on the reflector? best regards, Thomas On 10.10.2011 21:50, Nils Peters wrote: > Hi Jean, > > thanks for the info. > Laurent was kind enough to send me the concert patch. > > cheers, > > nils > > > On 11-08-29 2:18 AM, Jean Bresson wrote: >> Hi Nils >> I've seen this piece performed at the JIM (St Etienne) this year. >> they apparently reconstituted the piece with performers triggering the different events in Max >> You can probably contact Laurent Pottiier >> Jean >> >> Le 26 août 2011 à 02:29, Nils Peters a écrit : >> >>> >>> Hi, >>> >>> >>> On 10-10-01 4:22 PM, Nils Peters wrote: >>>> Hi list, >>>> >>>> referring to Jasch's email from June, I was starting to look into the >>>> possibility to create some benchmark scenes based on historical pieces. >>>> For some recommended pieces I found a few resources in the internet. >>>> >>>> Turenas: >>>> http://www.eumus.edu.uy/eme/cursos/comp_6/fm/resintetizando_turenas/resintetizando.html >>> >>> >>> John Chowning just pointed me to this page: >>> >>> http://www.musimediane.com/numero6/POTTIER/index.html >>> >>> it seems that somebody has already reconstructed Turenas. >>> Unfortunately the zip on the website doesn't include the Turenas main patch. >>> >>> cheers, >>> >>> Nils >>> >>> _______________________________________________ >>> Spatdif mailing list >>> [hidden email] >>> https://mail.bek.no/mailman/listinfo/spatdif >>> >> >> _______________________________________________ >> Spatdif mailing list >> [hidden email] >> https://mail.bek.no/mailman/listinfo/spatdif >> > > _______________________________________________ > Spatdif mailing list > [hidden email] > https://mail.bek.no/mailman/listinfo/spatdif > -- Prof.Dr. Thomas Sporer phone +49 3677 467-303 Fraunhofer IDMT fax +49 3677 467-467 Ehrenberg Str.31 mobile +49 175 183 5156 D-98693 Ilmenau email [hidden email] *** It's nice to be important, but it's more important to be nice ! *** _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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Dear Thomas,
no mails since Thomas Sporer wrote: > Dear all, > > the attached email is the first email i've seen on this reflector since > subscribing Sept 6th 2011. I assume that there was some exchange after > the Berlin meeting. Can you please tell me whether this is a problem on > my side, or whether there had not been any emails on the reflector? > > best regards, > Thomas > > On 10.10.2011 21:50, Nils Peters wrote: >> Hi Jean, >> >> thanks for the info. >> Laurent was kind enough to send me the concert patch. >> >> cheers, >> >> nils >> >> >> On 11-08-29 2:18 AM, Jean Bresson wrote: >>> Hi Nils >>> I've seen this piece performed at the JIM (St Etienne) this year. >>> they apparently reconstituted the piece with performers triggering >>> the different events in Max >>> You can probably contact Laurent Pottiier >>> Jean >>> >>> Le 26 août 2011 à 02:29, Nils Peters a écrit : >>> >>>> >>>> Hi, >>>> >>>> >>>> On 10-10-01 4:22 PM, Nils Peters wrote: >>>>> Hi list, >>>>> >>>>> referring to Jasch's email from June, I was starting to look into the >>>>> possibility to create some benchmark scenes based on historical >>>>> pieces. >>>>> For some recommended pieces I found a few resources in the internet. >>>>> >>>>> Turenas: >>>>> http://www.eumus.edu.uy/eme/cursos/comp_6/fm/resintetizando_turenas/resintetizando.html >>>>> >>>> >>>> >>>> John Chowning just pointed me to this page: >>>> >>>> http://www.musimediane.com/numero6/POTTIER/index.html >>>> >>>> it seems that somebody has already reconstructed Turenas. >>>> Unfortunately the zip on the website doesn't include the Turenas >>>> main patch. >>>> >>>> cheers, >>>> >>>> Nils >>>> >>>> _______________________________________________ >>>> Spatdif mailing list >>>> [hidden email] >>>> https://mail.bek.no/mailman/listinfo/spatdif >>>> >>> >>> _______________________________________________ >>> Spatdif mailing list >>> [hidden email] >>> https://mail.bek.no/mailman/listinfo/spatdif >>> >> >> _______________________________________________ >> Spatdif mailing list >> [hidden email] >> https://mail.bek.no/mailman/listinfo/spatdif >> > Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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In reply to this post by Thomas Sporer
Hi Thomas,
the list has been pretty quiet after the workshop, although me and Nils and Jasch have had some exchange off-list. Anyway, first of all thanks to everyone at T-labs for hosting the Berlin meeting, and likewise to everyone that participated. To me the meeting was productive, and raised several new questions and thoughts. One of the main impressions that I came away from the meeting with, is that it might be a good idea to enforce a clearer separation of the various layers of spatialisation than we have done so far. I'm here referring to the stratified model for spatialisation proposed in [1]. The list of topics that there were an expressed interest in discussing, dealt with at least the top four layers (spatial authoring, scene description, encoding and decoding). At the same time it was clear that some of us had a stronger interest and need for getting things sorted out at one of the layers, while others were more concerned about other layers. Currently I'm thinking that the best probably will be to develop separate descriptive formats for (or some other way split how we address each of the following): - Layer 3-4: Encoding-decoding. I doubt that these can be separated, as several spatialisation techniques don't separate encoding and decoding, but deal with them in one go (e.g. VBAP) - Layer 5: Scene description - Layer 6: Authoring Maybe later on we also want to be able to address the bottom two layers, but that don't seem urgent at the moment. I also got the impression that the fifth layer (scene description) seems to be the one that we want to address first, as there will be possibilities for interoperability between Jamoma, ICST-tools for MaxMST and IOSONO products. It also lays an important foundation for further work on descriptors of the layers below and above. Based on the discussions of spline functions that Matthias raised, I have afterwards thought that the 6th layer will be the most challenging to address, but also possibly the most interesting one, if we manage to find a good approach to it. One of the challenges we'll face here, is that authoring approaches are not just a question of moving stuff around manually, but might draw on various mathematical functions and physical simulation algorithms. Some examples are spline functions and flock/boids algorithms. A first step will probably be to collect a set of algorithms that can be "use cases" for further studies, helping us to get a more clear idea of what kind of authoring strategies we'll need to be able to cater for, and how (and if) we manage to find a unified way of describing them. It might be that rather than adding support for algorithms through extensions, we'll need to develop a system where the author can describe the functions required for the algorithm so that the y can be interpreted and processed in real time. Else way I'm afraid that we might end up with a potential infinite numb of extensions, in order to cater for one for each and every algorithm that someone came up with at a whim at some point in the past. I've planned to go through the 0.2 version of SpatDIF, and make an overview of what layer each of the descriptors discussed belong at, in order to see if that might help further structuring the specification and possibly separate how we deal with each of the layers. It might take a few weeks before I get to this though. Cheers, Trond References: [1] Peters N., Lossius T., Schacher J., Baltazar P., Bascou C. & Place T. (2009): A stratified approach for sound spatialization. Proceedings of The 6th Sound and Music Computing Conference, 23-25 July 2009, Porto. http://spatdif.org/papers/Spatialization-SMC09.pdf On Oct 12, 2011, at 8:08 AM, Thomas Sporer wrote: > Dear all, > > the attached email is the first email i've seen on this reflector since subscribing Sept 6th 2011. I assume that there was some exchange after the Berlin meeting. Can you please tell me whether this is a problem on my side, or whether there had not been any emails on the reflector? > > best regards, > Thomas _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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Dear List,
I am also very happy about the workshop in Berlin. It was nice to meet you all! > A first step will probably be to collect a set of algorithms that can be "use cases" for further studies, helping us to get a more clear idea of what kind of authoring strategies we'll need to be able to cater for, and how (and if) we manage to find a unified way of describing them. At the moment I am experimenting with http://developer.berlios.de/projects/libspline/. The included doc contains examples on the high-level-usage of some splines-types. Maybe this could be useful. Many greets from Berlin. Best Regards, Lukas _______________________________________________ Spatdif mailing list [hidden email] https://mail.bek.no/mailman/listinfo/spatdif |
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